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Simon & Garfunkel reached national fame in the United States in 1965–66, touring colleges and releasing a string of hit singles and albums. Meanwhile, director Mike Nichols, then filming The Graduate, became fascinated with the duo’s past two efforts, listening to them nonstop before and after filming. After two weeks of this obsession, he met with Columbia Records chairman Clive Davis to ask for permission to license Simon & Garfunkel music for his film. Davis viewed it as a perfect fit and envisioned a best-selling soundtrack album. Simon was not as immediately receptive, viewing movies as akin to “selling out”, but he agreed to write at least one or two new songs for the film after being impressed by Nichols’ wit and the script. Leonard Hirshan, a powerful agent at William Morris, negotiated a deal that paid Simon $25,000 to submit three songs to Nichols and producer Lawrence Turman.